{"id":5559,"date":"2019-06-20T21:01:28","date_gmt":"2019-06-20T21:01:28","guid":{"rendered":"https:\/\/currentsound.com\/?p=5559"},"modified":"2020-09-08T14:01:59","modified_gmt":"2020-09-08T14:01:59","slug":"cost-to-record-a-song","status":"publish","type":"post","link":"https:\/\/currentsound.com\/general\/cost-to-record-a-song\/","title":{"rendered":"How Much Does it Cost to Record a Song?"},"content":{"rendered":"
\n

The most asked question to every recording studio, “How Much Does it Cost to Record a song?”<\/h2>\n\n\n\n

Should you just show up to the studio with a massive bag of money? Probably not. Let me help you a little bit. Not a day goes by when a recording studio doesn’t get a phone call asking how much does it cost to record a song. <\/p>\n\n\n\n

There is a reason that recording studios don’t advertise a price per song. This is because the time needed to record, edit, produce, Auto Tune and mix a song varies too much. Every studio just prices their studio at per hour or per day either with or without an engineer. Obviously unless you’re a freelance engineer or you’re hiring a freelance engineer or producer like myself, you’re going to book a studio per hour including an engineer.<\/p>\n\n\n\n

This way it works out fairer to the artists and the studio. Taking an unknown time to do something would mean the studio would have to guess how long it might take. This works fine for small studios and engineers with low skills but the more skills and services that the engineer and producer has to offer, the more he\/she can do to the song and the longer he\/she can spend taking the song to a higher standard. The more time spent, the more the studio would need to charge. This is why the hourly rate and day rate have become a standard.<\/p>\n\n\n\n

Leaving this up to the artist\/client though might leave new artists a little confused as to what the cost to record a song will be so this article is hear to help.<\/p>\n\n\n\n

Hourly Rate & Day Rate<\/h3>\n\n\n\n

Check the hourly rate and Day Rate. Does it include the engineer? Does it include a producer? You will at minimum need a sound\/recording engineer as well as the studio time. <\/p>\n\n\n\n

An experienced engineer will charge a lot more than a newer sound engineer. You can also read my blog on How to Choose a Recording Studio in Los Angeles<\/a> for help on finding a good studio.<\/p>\n\n\n\n

But how many hours I will need? How can I calculate the cost to record a song?<\/h3>\n\n\n\n

Most independent musicians are concerned about the price, after all, recording is not cheap. It’s best to work out a budget and stick to it. This is what most singers, rappers and bands do. <\/p>\n\n\n\n

A good way to start is to just book a studio with the engineer and if you can afford it, a producer and see how much you get done. If you go walking into a studio demanding to do 5 songs in a day or recording and mixing a full band in only 3 hours, you are likely to be very disappointed with the result.<\/p>\n\n\n\n

Keep reading below for my tips, time estimates and common mistakes people make when calculating the hours needed in a recording studio.<\/p>\n\n\n\n

Call the studio<\/h3>\n\n\n\n

Recording studios are used to getting this question and usually don’t mind helping your work out how much time to book. So if you know where you’d like to record, it’s not too hard. A simple phone call and you should be able to work out how many hours you might need and get an idea of the price range of the cost to record a song for yourself or band.<\/p>\n\n\n\n

Different studios offer different services and have different levels of experience. Generally more experience means more efficiency\/working faster but it also means greater skills and more services. Therefore, what a highly skilled engineer and\/or producer can do to enhance the song will be more.<\/p>\n\n\n\n

So how long it will take depends on how far\/how high of a standard you want to take the song and how far the engineer and\/or producer CAN take the song.<\/p>\n\n\n\n

Some studios will only charge you for the hours you actually use. This means there is nothing to worry about and you can simply pay for the hours and services as you go. Unfortunately, not all studios do this. (Mine does though, little plug to my recording studio, Current Sound<\/a> lol)<\/p>\n\n\n\n

Experience<\/h3>\n\n\n\n

Experience is a main factor when working out the cost to record a song. <\/p>\n\n\n\n

The cost of recording, producing and mixing a record label ready release is not the same as the cost of recording a rough demo. Studios that do both will need to know where to draw the line. This is why it’s best for you to decide what you need\/want.<\/p>\n\n\n\n

For example an inexperienced engineer might record a band live and do a quick one hour live mix on the spot on an old console. <\/p>\n\n\n\n

An experienced engineer might record a band, over dub all the parts, edit all the parts individually, Auto Tune the vocals one note at a time in graphical mode, replace or layer the drums samples, re-amp the guitars and if he\/she is a producer they might even play some instruments or replay all the instruments or bring in session players or add electronic music production or remix the whole song. <\/p>\n\n\n\n

You can see how that would take longer than recording a band live without editing everything and doing a quick on the spot mix. However, the experienced engineer will provide a radio ready release. The inexperienced engineer will just give you a rough demo. You’re not getting the same end product. You usually get what you pay for, as long as the engineer is talented.<\/p>\n\n\n\n

Listen to Their Songs<\/h3>\n\n\n\n

On a similar note with you get what you pay for, sometimes you pay a lot and don’t get a lot back. Just because an hourly rate is high, doesn’t mean the skill level of the engineer doing the session is high. Make sure to listen to the songs that your engineer and\/or producer has recorded before booking the session.<\/p>\n\n\n\n

Music Producers<\/h3>\n\n\n\n

Very few studios come with a music producer<\/a>. The producer can add extra elements to a song or even create all the music from scratch (beat-making) as well as help direct the performance. Obviously having a beat made from scratch is going to cost more than recording over a pre-made beat or backing but the end product is likely to be more unique, more suited to the artist and of a higher standard than a generic beat that you’d find online.<\/p>\n\n\n\n

The Cost to Re-Record a Song<\/h2>\n\n\n\n

Like with anything in life, if you pick too cheap of a service, it’s likely you’ll be unhappy. If studio you choose doesn’t have the equipment, acoustically treated space, skill or can’t do the style\/genre you want or if the producer doesn’t have the same vision for the song that you do, it’s likely you might want to re-record and\/or re-produce the song from scratch at another studio with another engineer and\/or producer. <\/p>\n\n\n\n

So be a little careful. If the prices look too good to be true, they probably are. It could end up costing you more in the end by having to redo the whole song elsewhere.<\/p>\n\n\n\n

The number 1 mistake that people make when recording to a budget is… Wanting to do too many songs.<\/h2>\n\n\n\n

You’ve written some great songs. You love them. You want to record them all. So you must record them all right now!<\/p>\n\n\n\n

Most musicians are driven by emotion. This is great for songwriting but often terrible for making calculated marketing decisions.<\/p>\n\n\n\n

Artists almost always want to record too many songs for too little money, forcing the engineer to cut corners on each song which results in a poor quality product.<\/p>\n\n\n\n

One Awesome Song is Better than an Album of Crappy Songs<\/h3>\n\n\n\n

How many artists do you know that have gotten famous of just one amazing song? Now how many artists do you know that gotten famous of a poorly mixed and purely produced album?<\/p>\n\n\n\n

More and more artists these days are starting to realize that recording a full EP or Album at once isn’t as effective as recording one or two songs. A well produced and mixed song can help break a new artist. If you record a whole album or EP, later you’re going to want to release a single off that album. If the album or EP was rushed in the studio to keep everything under budget, you’re single will not be as strong and radio friendly. That makes it much harder to promote.<\/p>\n\n\n\n

The cost of promoting a song is very high. You want to be happy with it. I’ve noticed that most independent artists that have been recording for a while will book a studio just to record a song but new artists are often stuck thinking that recording an album or EP is the best way to go. They seem to learn later on that when recording to a budget, it’s best just to do a song or two at a time. Then once their reputation starts to build it becomes easier to afford to keep coming back to the studio. In the mean time, they can still save up to come back to the studio to record other songs. This means they are getting higher quality songs and more exposure even if they are doing less songs.<\/p>\n\n\n\n

Bands<\/h2>\n\n\n\n

Bands are the worst at estimating the cost of recording a song. Often they will want to record an entire album. They spend a lot of time performing and will most likely have an album’s worth of material and each member has their favorite song. But… If they go into the studio with too small of a budget, each song will not sound the best it can.<\/p>\n\n\n\n

It’s a problem most bands face. First of all, you’re going to need a bigger studio than the project studios that just deal with singer and rappers and the rate will be higher.<\/p>\n\n\n\n

The best thing a band can do, although tempting to all be lounging around the big studio A of a large studio to be in comfort the whole time is to track in a larger studio then mix in a smaller studio. This way, you’re not paying for the large space at times you need a smaller space. This will make the cost to record a song much less and as long as the sound engineer in the smaller studio is talented, the end product will be better as you have more hours to work on your song within the same budget.<\/p>\n\n\n\n

Bands Are the Worst at Thinking They Should Record a Full Album or EP<\/h3>\n\n\n\n

Even for bands, they are still better off going into a studio to record a song. Unless you’re touring around the US and selling out venues, you’re not going to earn much from selling a CD at your gigs. In my opinion, you’d be better off selling merch such as T-shirts etc… at gigs and directing your fans to your website where they can listen to your latest single purchase it on itunes and sign up to your mailing list. Building an online fan base is important and is also an important factor in getting signed. Moving people to your website is better for your brand than giving them your CD. <\/p>\n\n\n\n

Plus, young people don’t really listen to CDs anymore. Some bands have even gone back to pressing vinyl. This is kinda like the T-shirt thing. People just want something to remind them of the night. The vinyl record could probably be blank and most of them wouldn’t know lol. Note: Don’t do that! But seriously, handing out a CD might not be as important as you think.<\/p>\n\n\n\n

My Advice<\/h3>\n\n\n\n

Considering doing less songs or even just a single song and allow for enough time to do it high standard so that you have something that is more marketable as apposed to doing too many songs and not doing any of them properly.<\/p>\n\n\n\n

Average Time to Make a Song<\/h2>\n\n\n\n

There is no official average times for recording and mixing but I’ll give my times here which are about inline with most experienced engineers that and making radio ready songs.<\/p>\n\n\n\n

Beat-Making\/Production<\/h3>\n\n\n\n